Eleanor Antin
A Retrospective
Eleanor Antin. A Retrospective
Exhibition view Kunstmuseum Liechtenstein
Photo: Stefan Altenburger Photography, Zurich
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Portraits of Eight New York Women», 1970–1971
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Portraits of Eight New York Women», 1970–1971 (detail)
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin. A Retrospective
Exhibition view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin. A Retrospective
Exhibition view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Loves of a Ballerina», 1986/2008
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Portrait of Antinova», 1986
Installation view Kunstmuseum Liechtenstein
Photo: Stefan Altenburger Photography, Zurich
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin. A Retrospective
Exhibition view Kunstmuseum Liechtenstein
Photo: Stefan Altenburger Photography, Zurich
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Caught in the Act», 1973
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin. A Retrospective
Exhibition view Kunstmuseum Liechtenstein
Photo: Stefan Altenburger Photography, Zurich
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Field Operation», from «The Angel of Mercy», 1977 (detail)
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin. A Retrospective
Exhibition view Kunstmuseum Liechtenstein
Photo: Stefan Altenburger Photography, Zurich
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Vilna Nights», 1993–1997/2025
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«Vilna Nights», 1993–1997/2025 (detail)
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«The Death of Petronius, aus The Last Days of Pompeii», 2001
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
«CARVING: 45 Years Later», 2017
Installation view Kunstmuseum Liechtenstein
Photo: Sandra Maier
© Eleanor Antin / Kunstmuseum Liechtenstein
Eleanor Antin
From the series «The King of Solana Beach», 1974–1975
B/w press photographs
5 parts, each 20 x 25 cm
Courtesy the artist and Diane Rosenstein Gallery, Los Angeles, and Andrew Kreps Gallery, New York
© Eleanor Antin
Eleanor Antin
«The Two Eleanors (from the series The Ballerina)», 1973 (detail)
B/w photograph mounted on board
27.9 x 35.6 cm
Courtesy the artist, Marco Nocella and Ronald Feldman Gallery, New York
© Eleanor Antin
Eleanor Antin
«Nurse Eleanor, R.N.», 1976/2007
Iris print, business card
70.5 x 93.4 cm
Courtesy the artist and Diane Rosenstein Gallery, Los Angeles, and Andrew Kreps Gallery, New York
© Eleanor Antin
Eleanor Antin
From the series «100 Boots», 1971–1973
Postcards, offset lithography on white wove paper
51 parts, each 12.7 × 17.8 cm
VERBUND COLLECTION, Vienna
© Eleanor Antin
Eleanor Antin
From the series «100 Boots», 1971–1973
Postcards, offset lithography on white wove paper
51 parts, each 12.7 × 17.8 cm
VERBUND COLLECTION, Vienna
© Eleanor Antin